dramatis personae

美 [ˌdræmətɪs pɜːrˈsoʊni]英 [ˌdræmətɪs pɜːˈsəʊnaɪ]
  • n.全体剧中人物
dramatis personaedramatis personae

noun

pl.全体剧中人物
all the characters in a play in the theatre

dramatis personae

频次

  • 1
    N-PLURAL (一出戏中的)剧中人物,全部角色
    The characters in a play are sometimes referred to as the dramatis personae .

noun

1
the actors in a play
Synonym: cast cast of characters

数据来源:WordNet

  1. National culture , traditional custom , historical tradition and social development are the important sources of dramatis personae in idioms .

    民族文化、风俗习惯、历史传统以及社会发展等是人物习语的重要来源。

  2. Watching the Dramatis Personae 's Emotion Change of Jiao Hong Ji from the Time Narration

    从时间叙事看《娇红记》主人公的情感变化

  3. This leads to the identity without consciousness to the traditional moral when dramatis personae obey the modern moral .

    由此而带来的道德两难现象反映到文学上,首先体现为作品中的人物在服膺现代道德时对传统道德的不自觉地认同。

  4. The great significance of Horney 's ideology is to analyze and understand the mental conflict of the dramatis personae .

    霍尔奈的理论对于分析和理解文学作品的人物心理冲突具有十分重大的意义。

  5. The second chapter : " Self and " himself are transformed into " author " and " dramatis personae " .

    第二章、自我与他者关系的转换:作者与主人公。

  6. Liang Heng ' prose works can be classified into two categories : the landscape prose and dramatis personae prose .

    梁衡的散文作品从题材上可以分为山水散文和人物散文。

  7. When acting as a connotation character , it compares with the dramatis personae and sustains each other .

    当“我”以内涵人物出现时,“我”和主人公参差对照,重叠互映,各得生命;

  8. Dramatis personae created by Camus have many same characteristic with those classic tragic heroes . And we can associate them together easily .

    加缪作品的主人公具备同古典悲剧主人公相似的性格特征,其人物形象也能让我们联想到很多经典的悲剧人物。

  9. FTL meme refers to the vocal language of dramatis personae in films or TV programs imitated and transmitted from mind to mind .

    影视语言模因是指被复制和传播的电影电视节目中人物的有声语言。

  10. In the form , both Nauseous and Stranger are accounts in dramatis personae 's own words , syncretizing the literary side and philosophical side .

    在形式上,《恶心》与《局外人》都是主人公的自述,文学与哲学融为一体;

  11. The love choices of Dramatis personae signify their political ideals , so a hero and a beauty beat a handsome scholar and a pretty girl .

    主人公对爱情的选择象征着其政治理想的归属,英雄美人“打败”了才子佳人。

  12. Vengeance : A Eternal Telepathy And Dialogue & - The Comparison on the Dramatis Personae of A Tale of two Cities and The Weald

    复仇:超时空的感应与对话&《双城记》、《原野》人物比较

  13. This papre trying to analyze on dramatis personae charles 's unnatural and natural life to discuss the meaning that human existing , from the point of philosophic theory of existentialism .

    本文试图从存在主义哲学理论出发,通过分析主人公查尔斯的非本真和本真生活来探讨人生存在的意义。

  14. From the translation style of the dramatis personae 's language , the author analyzes the artistic achievement of Ying Ruocheng 's translation of " Death of the Salesman " .

    本文试从戏剧人物语言的翻译风格的角度,试析著名艺术家、翻译家英若诚先生戏剧翻译作品《推销员之死》的艺术成就。

  15. Bai Jia-xuan , the dramatis personae of the famous novel White Deer Plain , has boundless cultural charm , for his life is the faithful practitioner of Confucianism .

    试论忠实践行儒家文化的白嘉轩形象《白鹿原》的主人公白嘉轩身上闪耀着无穷的魅力,他的一生就是实践儒家文化的一生。

  16. This paper investigates on the consciousness of watching & guarding represented from pure texts of Writer Xue Tao 's youth novel , neither simply on the writer 's nor the dramatis personae 's from these works .

    本文研究的重点不是作家薛涛的守望意识,也不单纯是薛涛少年小说中人物的守望意识,而是薛涛少年小说文本本身所表现出来的守望意识。

  17. Therefore , chapter two and chapter three start to research mostly from the dramatic elements of the opera , it explores the theme of the opera and the causes of the romantic tragedy from the plot and the dramatis personae .

    因此第二章第三章主要从歌剧的戏剧元素进入研究,从歌剧选材和歌剧人物入手,对歌剧主题及爱情悲剧的成因进行考察。

  18. It tries to analyze the shape of the theme , the relation of the dramatis personae and its relation with the development of the dramatic confliction , the causes of Margaret 's tragedy from the approach of the context .

    从文本角度,探析歌剧主题形成、戏剧人物关系,以及这种关系与戏剧冲突发展的关系,玛格丽特悲剧的成因;

  19. Chenran ( and dramatis personae in her novels ) feels much alone , meanwhile tastes the desolation , and then upgrades the loneliness to lay of philosophy and the desolation to compass of art .

    陈染在追求人类终极意义的途中,是如此地感受着孤独,品尝着忧伤,并将孤独提升到哲学层面,把忧伤升华为艺术境界。

  20. Establishing the network circumstances and going into managing are the original acquisition of the property , obtaining the virtual things ( such as accounts , props , dramatis personae in the games and currencies ) in the network games is the derivative acquisition .

    创设网络环境并投入运营是对虚拟财产的原始取得,用户对网络游戏中虚拟物(包括账户、道具、游戏人物、货币)的取得是继受取得。